This work is part of an ongoing exploration of rhythm as a central compositional principle.
Vertical sequences of cadmium red, cobalt blue, cobalt green, and black form a structure that is both dynamic and balanced.
While the colored passages are developed through thin, layered applications to achieve transparency and depth, the black is applied in a dense, impasto manner, creating a distinct contrast of surface and tactility.
The result is a measured interplay of color, rhythm, and material tension.
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The painting is built up from numerous thin layers of paint consisting of high-quality pigments in an acrylic dispersion.
The black, impasto sections consist of thicker layers of pigment.
The canvas is high-quality Belgian linen primed by the artist himself, whose texture remains clearly visible beneath the thin layers.
It is delivered on a sturdy wooden stretcher frame. The sides are painted, so no additional frame is required.
The painting is ready to hang.
This work is part of a series
rhythmic striped compositions
additional frame
not necessary
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